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- Bildethik
- Categories
- English
- Faschismus
- Kolonialgeschichte
- Topics
- Advertising
- Aerial Photography
- Antisemitismus
- Basic Principles of Visual History
- Berlin
- Brazil
- Cold War
- Comics
- Conference, Workshop, CfP
- Controling Images
- Czech Photography
- Digitization and Long-Time Preservation
- Ethnographic Photography
- Fashion Photography
- Film
- France
- Gesellschaft
- Industrial Photography
- Institutions of Photography History
- Länder
- Maps
- Migration
- Museum
- National Socialism
- Persecution of Jews
- Photographers
- Photographic Competitions
- Photography in Class
- Picture Editors
- Picture Postcards
- Posters
- Press Photography
- Privatfotografie
- Scientific Photography
- Socialism
- Urban Photography / Film
- Visual Icons
- War Photography
- World War I
- World War II
Interviews mit Fotografinnen und Fotografen
Bilder der Gewalt – „Ich finde, man muss es zeigen“
von Isabel Enzenbach 04|07|2022Bilder vom Wandel Ostdeutschlands –
von Christine Bartlitz 08|02|2021
der Fotograf Sven Gatter im GesprächFading Photos and Stories of Conflicts
von Zeina Elcheikh 15|01|2020“Humans of Damascus” – The (Other) Art of Community (Building)
von Zeina Elcheikh 25|03|2019Obst Und Muse
von Christine Bartlitz 28|10|2018Picturing Violence: From Bosnia to Syria
von Zeina Elcheikh 27|06|2018Der weite Blick von Anna Thiele: Tempelhof 2010-2017
von Christine Bartlitz 08|05|2018Aktfotografie in der DDR
von Christine Bartlitz 13|03|2017Jürgen Schadeberg:
von Katharina Fink 03|07|2016
Something you don’t see„Reisen bedeutet, Bilder zu sehen und zu finden“
von Miriam Zlobinski 10|06|2016Ich will einfach fotografieren und die Dinge nicht verstellen
von Annette Schuhmann 25|04|2016„Für mich war Fotografieren immer Politik und politischer Kampf“
von Florian Voelker 25|05|2015„… dann muss etwas an der Sache dran sein“
von Philipp Holt 30|03|2015Scheinwelten und Publikationsverbot
von Meike Dreckmann 25|08|2014Capa, Hajas und/oder Lorant?
von Eszter Kiss 19|12|2013